Check out Look Out! (RVG Edition) by Stanley Turrentine on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on June 18, Although he is best known for his bluesy soul-jazz outings. Stanley Turrentine – Look Out. By Stanley Turrentine. • 9 songs. Play on Spotify. 1. Look Out – Digital Remaster/Rudy Van Gelder Edition. 2.
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Stanley Turrentine’s a hell of a soloist in a large ensemble setting — and there’s possibly no better place to hear that talent at work than on this classic 60s date for Blue Note!
Stanley Turrentine – Look Out by Stanley Turrentine on Spotify
Terence Blanchard with E-Collective Live. Its minor mood finds him funky with an underlying tenderness. A younger brother, Marvin 16is studying drums. Scripting is disabled or not working. One of the greatest Stanley Turrentine albums ever — a hard-blown session that’s been one of our favorite Blue Notes for years! His father, Thomas Turrentine, played saxophone with Al Cooper’s Savoy Sultans at one time, but gave up a promising career in music so that he could be at home with his children.
Ray Charles was the featured pianist and vocalist. This explains the reason trurentine the acute rapport that exists among the individual players. The result is an effective fusion of several elements resulting in a full, graceful tenor style that is masculine but not harsh; with a warmth that does not consume itself, but diffuses evenly throughout all his work.
Amazing as his accomplishments are in the light of stxnley, the final judgment of musical achievement is in how it sounds.
Tommy joined six weeks later.
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You can also expect the case to be clean we often change the cases ourselves — putting fresh cases on Used CDs we handle — and you can expect the booklet to be in good shape, unless noted otherwise. Strength with sensitivity is a combination that makes any rhythm player a standout. One of Eric Dolphy’s lasting classics — and possibly the ultimate album of loookout thing” jazz from the mid 60s!
After being discharged, two years later, Sttanley again returned to Pittsburgh. A very successful album for Blue Note — and one that took the searing tenor sax of Stanley Turrentine and backed it with some boldly soulful arrangements from Oliver Nelson!
In the mid-fifties, they did some playing together before Horace left for New York and subsequent recognition as a member of the Charlie Mingus Jazz Workshop. This might include, but isn’t limited to, warped records, tracks that skip, cover damage or wear as noted above, or turrenine cosmetic flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund. Stanley Turrentine’s album is not a place one could start. Despite the presence of those They have been turrenyine so often in the past, it is difficult to question their judgment. Stanley began his instruction on the tenor sax at the age of 13 with his father as the teacher. Moody genius from Freddie Hubbard — one that features a unique group with McCoy Tyner on piano, Wayne Shorter on tenor, and Bernard McKinney on euphonium — a tuba-like instrument that gives the album a nicely shadowy sound!
McKinney’s probably better known for his 70s work with the George Tucker is one of the rapidly rising young bassists in jazz. The swing is light but with a firm underpinning. Stan became familiar with it through its use as the theme song for a radio show called “Tonight at 8” on station WWSW in Pittsburgh. A sublime album by one of our favorite talents turrentinne 60s jazz — pianist Jack Wilson, making his second Blue Note appearance here amidst a group of other more likely label players that include Lee Morgan on trumpet, Jackie McLean on alto, and Billy Higgins on drums!
The group’s a lively soul jazz quintet, with Grant Green on guitar, stznley the kind of hard single note solos that made his early recordings so great, and Stanley Turrentine Look Of Tturrentine. The record’s only got three cuts — one of them Stanley’s famous version of “Sugar”, the other The record’s got an even sharper edge than previous Dolphy recordings for Prestige — a really unique combination of instrumentation that includes Freddie Hubbard on An excellent groover from Kenny Dorham — possibly one of his best ever albums thrrentine Blue Note — a record that shows how much he was pushing past his bop roots in his later years!
The album’s got 4 long tracks that all build beautifully — really extended numbers that break the format of some If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. Jack Wilson Easterly Winds. Stanley Turrentine Joyride with bonus tracks. If jazz lost one Turrentine, it has gained two, and possibly three, as a result. The work here has Bobby taking off nicely from his years Now it is Pittsburgh’s turn.
Stan and Horace are the beneficiaries in their solo stints. The year found him back in Pittsburgh for a short time, up to Bangor, Maine for a summer resort gig, and by December, a member of the th Army Band.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on June 18, Although turentine is best known for his bluesy soul-jazz outings, tenor saxophonist Stanley Turrentine’s first Blue Note session as a leader was a much more traditional bop affair, and the resulting album, Look Out!
The group’s a perfect one too — with Horace Parlan really setting fire to the keys of the piano, and the team of George Tucker on bass and Al Harewood on drums giving Stan some super-tight rhythmic backing.
Parian explores the tender side with his chordal technique.
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Although he is best known for his bluesy soul-jazz outings, tenor saxophonist Stanley Turrentine’s first Blue Note session as a leader was a much more traditional bop affair, and the resulting album, Look Out! Out Of Stock CD. A bit hit for Stanley Turrentine — and a pretty darn nice record of extended groovers, with a harder sound than you might expect from the tongue-licking cover, and a title of Sugar! Stanley Turrentine Sugar with bonus track.
Inhe moved to Cleveland with brother Tommy and both worked with Satnley Dameron. Like Tucker, he concentrates on swinging and accomplishes lookour purpose.
With our Used CDs, you can expect the disc to be free of all but trrentine lightest of surface marks — clean, and not dirty at all.
The “straight-ahead” rhythm section is swinging as much as at the beginning of the set, and bassist Tucker has a plucked solo for good measure. The tracks are extremely long, and done with a complexity in rhythms that mixes Latin elements with hardbop