KOPPRASCH TUBA PDF

This new edition of Kopprasch Etudes for tuba includes instructions for every etude by Dr. Jerry Young. Etudes (60) Complete, op 6 (Young). The Kopprasch Etudes are essential for technical development on the tuba. With full instructional text by Dr. Jerry Young, .

Author: Musida Zulkikus
Country: Jamaica
Language: English (Spanish)
Genre: Relationship
Published (Last): 28 July 2004
Pages: 391
PDF File Size: 16.39 Mb
ePub File Size: 12.97 Mb
ISBN: 325-6-73063-632-2
Downloads: 58577
Price: Free* [*Free Regsitration Required]
Uploader: Tojagal

String Instrumentation Codes Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example: Beethoven Symphony No 1 in C, op 21 [2,2,2,2,0,0, tymp, ]. The set of numbers after the dash represent the Brass. The numbers represent only distinct parts, not the number of copies of a part.

Strings are a standard configuration 4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass. Typically, orchestra scores have the tuba linked to euphonium, but it does happen where Trombone is the principal instead. Other Required and Solo parts follow the strings:. The system used above is standard in the orchestra music field.

The first number stands for Trumpetthe second for Hornthe third for Trombonethe fourth separated from the first three by a dot for Euphonium and the fifth for Tuba. Sometimes strings are simply listed as “str,” which means strings.

In the third ,opprasch, we have a rather extreme use of the system. The Beethoven example is typical of much Classical and early Romantic fare. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this: Titles listed in our catalog without bracketed numbers are assumed to use “Standard Instrumentation.

  AZ ENERGIAMEZ KNYV PDF

Note also that the separate euphonium part is attached to trombone with a plus sign. With full instructional text by Dr.

Kopprasch, C. (Young) Etudes (60) Complete, op 6

The bracketed numbers tell you the precise instrumentation of the ensemble. This is standard orchestral nomenclature. View Shopping Cart Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example:. Note the inclusion of the saxes after bassoon for this band work.

Copland Fanfare for the Common Man [ Jerry Young, this is the definitive publication of Kopprasch’s work. Example 3 – MacKenzie: Thus a double reed quartet of 2 oboes, english horn kopprsch bassoon will look like this:.

In this case, the winds are all doubled 2 flutes, 2 oboes, 2 clarinets and 2 bassoonsand there are two each horns and trumpets. This system lists Horn before Trumpet.

In addition, there are often doublings in the Trumpet section – Piccolo and Flugelhorn being the most common. The first set of numbers before the dash represent the Woodwinds. And finally, here is one more way to visualize the above code sequence: Percussion is abbreviated following the brass.

Multiples, if any, are not shown in this system. Other Required guba Solo parts follow the strings: For orchestral music, saxes are at the end see Saxophones below.

Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass. The first number stands for Violinthe second for Violathe third for Celloand the fourth for Double Bass. These numbers tell you how many of each instrument are in the ensemble.

  CALLEMAN MAYAN CALENDAR PDF

Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example: It consists of the forces The errors present in other editions have been corrected in this new book.

Example 1 – Beethoven: Brass Instrumentation Codes Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example: Letters that are duplicated as in A in this example indicate multiple parts.

Young’s comments reflect contemporary stylistic concepts of tuba performance. Whenever this occurs, we will separate the first four digits with commas for clarity.

Kopprasch, C. (Young) Etudes (60) Complete, op 6 for Tuba Studies & Etudes

The first number stands for Flutethe second for Oboethe third for Clarinetthe fourth kopprsch Bassoonand the fifth separated from the woodwinds by a dash is for Horn. Titles with no bracketed numbers are assumed to use “Standard Instrumentation.

Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual